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Save big on combining
string sets: Combined
Violin Strings |
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Pirastro Violin Strings:
Evah Pirazzi, Passione, Obligato, Gold Label,
Olive, Chorda, Eudoxa, Piranito and Tonica |
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Thomastik-Infeld Violin
Strings: Dominant, Infeld
Red, Infeld Blue, Peter
Infeld, and Vision strings |
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D'addario Violin Strings: Helicore, Zyex, Kaplan,
Pro Arte |
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Corelli:
Alliance Vivace, Crystal |
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Larsen |
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Prim Violin
Strings |
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Warchal:
Brilliant, Nefrit, Ametyst, Karneol |
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Westminster E strings |
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Hill E Strings |
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Goldbrokat E Strings |
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Violin
Rosin |
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Humidity and Your
Violin
Many
violin players do not need to worry too much about their precious
violin cracking. The old saying...the bigger they are,
the harder they fall fits more for bass players than
fiddle players, but still violinists should take some
precaution in the dryer winter months, seasonal changes
and travel. On a bass or a cello, these
instruments change (shrink in dryness or expand in
humidity), at the same ratio percentage as a violin.
The only problem for our bigger "brothers" is that while
we may all only have to worry about 2% change (in size),
this very same 2% on a bass can me 1/4" difference!
This is precisely why there are more crack issues on
basses and cellos, and why these very same players worry
more about it.Still though, violins crack! Here
are some thoughts and precautions to take to minimize
the risk. First, keep in mind that during the cold
winter months with the humidity at the lowest levels,
players may notice a few of its telltale signs:
- your strings are lower, or maybe even buzzing on
the fingerboard. They may tend to buzz easier
when you are playing hard into the violin, whereas
before, they didn't do this
- the instrument might start sounding edgy (too
bright, maybe shrill and your E or A strings, start
'whistling' even though strings might be fairly new
and didn't do this before
- the instrument is not responding or "speaking"
as it used to (you remember how it sounded before!)
- you see more rosin dust on the fiddle top while
you are playing or afterwards (this is because the
instrument is playing 'tighter' and not responding
as it can or did before. The strings are
more resistant to vibrating freely, ie, the bow cannot
pull or vibrate that string as easily and leaves
more dust than before because of the resistance with
the string
- sometimes one can actually see the f-holes twist
a little. Meaning, the treble side f-hole can
torque upwards and at the same time, the bass bar
side, can twist a little . If you see
this, take it into a good violin shop and have it
checked out (just don't buy any strings there!)
It's good to have a sense of humor!!
With extreme dryness and the fact that every violin
is different, there are some things you can do to guard
against cracking and also just to make it sound much
better. Even if you feel that your violin has
easily 'weathered' the dry months in the past, you can
never be sure that it will be safe this time around.
What you can do:
- get a Dampit or two to put in the
f-holes. Buying two will make it easier to
humidify the inside of the violin (remember the
inside is not varnished and easily absorbs the
moisture) and you will not be pressed to over
saturate with just a single one. You can take
these out when you are playing, but they really help
when they sit inside the violin with the case
closed. Just a little added humidity should be
enough to keep the fiddle from freaking! Don't over
do it as there is no need for this and you don't
want to create extreme dryness to extreme humidity
back to dryness. Less is more for violins!
(Only buy the green colored "Dampit" brand).
They're cheap enough and just more reliable.
- In the colder dry months, often different strings
can make a difference too. If you are using a gold
or steel e, try the aluminum (warmer) gauge. If
you are using heavier gauge, maybe try a medium gauge.
Have you tried the
Evah Pirazzi violin strings yet? These have
the synthetic core and seem a little more accommodating
in this way.
- with a good luthier, you can find that happy medium
that with the proper sound post adjustment, he can find
a good bridge height and sound post fitting that should
work all year round. This is especially true if
you have a new violin or 'new' to you or to the area.
For example, you bought the violin on the west coast and
brought it home across country to a new and different
climate.
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- with a good luthier, you can find that happy medium
that with the proper sound post adjustment, he can find
a good bridge height and sound post fitting that should
work all year round. This is especially true if
you have a new violin or 'new' to you or to the area.
For example, you bought the violin on the west coast and
brought it home across country to a new and different
climate.
Don't leave your violin open outside of the case.
During breaks in rehearsals or concerts, take off
the shoulder rest, and put it away. Don't
leave it out all night on your desk or whatever,
you're just asking for trouble.
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Here's helpful information for customers unsure
about which violin strings would best suit their needs and more related
links: |
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